Since 2005, Bresciani has focused initiative on the revitalization of historic traditions and festivals of Western culture with special attention to the Festival for the Reinstatement of the Delphic Games and since 2011, theĬarnevale di Venezia. Jeanne is the subject of feature articles in Dance Magazine, Dancer Universe and Conscious Dancer Magazine. candidates in Expressive Arts Therapies in China and launched The IDII European Certificate Program in Isadora Duncan Studies in 2016, which moves amidst European capitals annually.
Jeanne founded the first Isadora Duncan Certificate Program in Beijing in 2015 under the auspices of The Apollo Institute, dedicated to the training and development of M.A. At the 92Y, an historic home of Modern Dance, she directs the Isadora Programs in education, the Jeanne Bresciani & the Isadora Duncan International Institute Dancers and the 92Y Isadora Youth Ensemble. Rowe and Kay Bardsley at New York University as faculty performance study tours abroad, entitled, Sacred Topographies: The Body and the Land followed by The Certificate Program II: The Advanced Diploma in Performance and Choreography and The Certificate Program in Myth, Movement and Metaphor: specializing in choreographic research – all based today at three sites – Tempio di danza, the Hudson Valley home of the IDII in High Falls, NY, Skidmore College in Saratoga Springs, NY, The 92Y Harkness Dance Center in NYC and locations of import abroad.
Isadora duncan dance water study professional#
Bresciani founded and directs the first professional programs in Isadora Studies: The Certificate Program I : The Training in Technique and Choreography originally under Maria-Theresa Duncan’s guidance with Dr. The Institute has brought Duncan’s universal approach to movement, art, and the humanities to diverse populations around the world in the form of experiential, choreographic and educational workshops and classes, as well as through performances and lectures delivered by IDII scholars and performers. Its results are choreosyntheses of music and dance, both ancient and eternal, in a modernly eclectic yet vividly refined way. Based in the artistic, choreographic and theatrical realms of the muses and their legacy to museums, Bresciani draws forth Duncan’s unique contribution of forging choreographic masterpieces based on the great periods and masterworks of art from the classical to modern. Her lineage encompasses years of intensive study and performance with Hortense Kooluris and Julia Levien of the Anna and Irma Duncan heritage, childhood dance training and young adulthood internship with Anita Zahn of the Elizabeth Duncan School and mentorship with Victor Seroff, Isadora’s biographer and last love under whose authority, she cataloged The Library of Isadora Duncan in the Victor Seroff Collection, M.A. Jeanne is recognized nationally and internationally as a solo performer, choreographer, educator and scholar of unparalleled authority on Isadora Duncan’s life, works and performance repertoire. (IDII), founded by Maria-Theresa Duncan, ‘the last dancing Isadorable’ and Kay Bardsley in 1977.
(New York University, Myth and Image in the Dance of Isadora Duncan), the main protégée of Maria Theresa Duncan, adopted daughter of Isadora Duncan, serves as Artistic Director for the Isadora Duncan International Institute, Inc. (Archetypal Psychology/Laban Studies), Ph.D. (New York University, Fulbright Scholar), I.M.A. (Williams College in collaboration with the Sterling and Francine Clark Art Institute, Kress Fellow), M.A. Jeanne Bresciani, Ph.D., Artist Director Jeanne Bresciani in Water Study – Photo by Lois Greenfield
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